Bartó (Sara Bartolini) – Salon Art Shopping – Parigi – Il Melograno Art Gallery

Bartó (Sara Bartolini) espone a Parigi con Il Melograno Art Gallery

ART SHOPPING PARIS 2022

Fiera internazionale di arte contemporanea 

Carrousel du Louvre

Sala Delorme

STAND D55

21 – 22 – 23 ottobre 2022
inaugurazione venerdì 21 ottobre  ore 19

 

Il fantasma dentro

Tutto scivola via con la velocità di una candela che si scioglie.
Accettando lo ieri, accendendo il fuoco per scaldare il domani.

Bartó

(english below)

Sara Bartolini, in arte Bartó, è nata a Pescia, in provincia di Pistoia, nel 1985. Sin da piccola ha coltivato il suo naturale talento frequentando lo studio del pittore Sirio Bocci, suo maestro e mentore, e prendendo nel frattempo il diploma di grafica pubblicitaria.

La sua pittura, partita a bottega dai paesaggi e dai ritratti, si è evoluta e maturata negli anni, fino a raggiungere una cifra stilistica personale. Le sue opere astratte, dense di colore e materia, sono raffinate composizioni realizzate a olio, acrilico e cera.

E’ proprio la cera che diviene la sua imponta caratteristica, il suo marchio. Grandi colate o impronte leggere danzano sulle tele in un’unione magica con il colore vibrante e caldo, denso di emozione e di carica passionale. Tutta la persona di Sara è coinvolta: le mani, il corpo, trasportano la materia sulla tela, infondendo in essa una grande forza interiore. Entusiasmo, positività, o sottili vene malinconiche, riflessioni profonde, fantasie romantiche o meditazioni trascendenti, si fondono per dar vita ad una pittura toccante, ricca di suggestioni magnetiche e di  seducente fascino.

Un’empatia istintiva porta Sara al desiderio di comprendere e comunicare con gli altri, ed è proprio lo scambio emotivo, la gioia di “muovere” qualcosa nel pubblico, a dare sempre maggiore spinta a questa fantastica artista. 

Sara Bartolini espone in Italia e all’estero, ed è presente nei principali circuiti artistici.

scopri l’artista sull’ e-commerce

Carrousel du LOUVRE
99, rue de Rivoli
Paris
Vendredi 21 octobre  : 19h -22h (uniquement sur invitation)
Samedi  22 octobre  : 11h-20h
Dimanche 23 octobre : 11h-19h (dernières entrées à 18h30)

Parking de 7h à 23h : Q-PARK Carrousel du Louvre,
Accès :
1 avenue du général Lemonnier 75001 Paris
Métro :  Lignes 1 & 7, station : Palais-Royal – Musée du Louvre
Bus : Lignes 21, 27, 39, 48, 67, 68, 69, 72, 81 & 95
Arrêts : Palais-Royal – Musée du Louvre ; Palais Royal – Comédie Française ; Musée du Louvre

Sara Bartolini, in art Bartó, was born in Pescia (Pistoia) in 1985. Just as it was in the Tuscan Renaissance, Bartó learns drawing and painting directly “in the workshop” from his master and mentor of painting. After graduating in advertising graphics, Bartó devotes herself to following her family’s business, but after a short time she returns to painting, completely changing her style: the landscapes and the portraits of the early years are replaced by abstract works, very textured, made of oil, acrylic and wax. Above all, this latter element becomes a real “brand” that has been featuring Bartó’s works in recent years: as in an ecstatic dance, the wax flows are combined with the emotions conveyed by the artist’s body which she shows on her canvasses transmitting them to the viewer.

“In Sara Bartolini’s work, the flow of emotions and the importance of human relationships are the starting point of her artistic poetics.
Bartó translates her experience into Matter: after several artistic experiments, many of them self-taught, she comes to create her works with an energetic and vital charge that translates into oil, acrylic and wax compounds. Her chromatic explosions and swirls of light refer not only to experiences from her own life, but also to a more global reflection on the need for interpersonal connections and, therefore, also on the continuous change of human existence and social relations. The materiality of her more abstract works makes it possible to place the artist within a more contemporary line of the artistic and pictorial current of Informal Art. In her abstract paintings, form gives way to the flow of oils and acrylics on her canvases and, as in an ecstatic dance, the wax casts become part of the work, which on many occasions also becomes an expression of her body with the tangible presence of hand and footprints, as in a work of body art. The works of Sara Bartolini, who is Tuscan by origin, are not only influenced by more contemporary artistic currents: the use of wax in painting is an ancient technique that has its roots in Greek and Roman antiquity and in Tuscan Da Vinci painting, but which she reworks in an entirely personal and contemporary key, always as a reflection of her own inner feelings.
The titles of her works allude to the emotional charges that the artist tries to make tangible with her paintings: at a time when the human being is alone in front of his troubles, Sara Bartolini communicates that the sense of ancestral bewilderment before the experiences and trials of life is something universal.
A message that she entrusts to her painting, to the wax of the candles, thus putting together a completely unique artistic grammar that gives the observer the opportunity to reflect on the world around him, the events that involve him, and above all on his deepest self.”
Francesca Della Ventura, journalist, curator and art critic